Minhwa / 민화

[wishne]

Çok ilgi çekici ve resimler oldukça iyi.
Tesekkürler.

[Bursalýsungyeon]

Çok güzel bir çalisma olmus Ayse abla...Eline saglik.

[cilekess]

Tesekkürler..
Resimler vs. harika.
Ilginç bir Kore sanatindan bir tane daha.=)

[stay]

Oldukça güzel ve ilgi çekici bir konu; perspektifi açidan basarili eserler. Tanitim için tesekkürler.

[apo]

Tesekkürler Ayse güzel bir tanitim.

[rüzgars]

Tesekürler canim.
Boya sanati gerçekten güzel bir konu.

[Maria]

Kore Geleneksel Halk Resimleri, Minwha

Minhwa, Kore’nin eski zamanlarinda sanatçilarin, orta sinif ve alt sinif insanlarin yasamlarinin yani sira halk hikayelerinin de tasvirlerinde kullandigi resimlerdir. Minwha’nin kökeni eski Koguryo Kralligi mezarlarina dayanir (M.Ö 57 – M.S. 668). Koreliler eski zamanlardan beri resimlerin felaketi def ettigine, çekicilikleriyle birinin umudugunu gerçeklestirebileceklerine inanirlar.

Minwha, baslica ev dekorasyonunda, duvar süslemede kullanilir. Ayrica evin farkli bölümlerini soguktan korumasi için paravan olarak kullanilir. Gelini tasirken çiçeklerle süslenmis aracin üzerinde kaplama olarak, dügün gününde yelpaze üzerinde kullanilirdi.

Genel olarak, Kore’deki sanatçilarin Minwha resimleri samanizme, doga ve hayvanlardan sik kullanilan karakterlere dayalidir. Minwha’da çam agaci, uzun yasami; daglar, dogaya karsi saygi ve inanci simgeler. Çiçeklerin resimleri mutluluk, refah ve bereketi temsil eder.

Sanatçilar birçok Miwha’da, sakayik çiçeklerini, nilifer çiçeklerini ve kasimpatilari resmeder. Tavus kusu, çinördegi çiftler halinde çizilir ve evli mutlu bir çifti simgeler. Sebzeler ve meyveler, neslin refah ve zenginligi simgeler. Ejder, Çin Anka Kusu gibi hayali hayvanlar, birinin uzun ömrü ve refahi için dua eden kisileri simgeler.

Her Kore Minwha resmi orijinal degildir. Birçogu orijinallerinin taklidiyle yapilmistir. Kore Minwha’si, orijinal sanatsal degerinden çok pratik kullanimindan dolayi takdir edilir. Egitim görmemis taninmayan sanatçilar birçok resim yapmistir. Dahasi, bu resimler ayrimciliga ugramis; alt sinifça tercih edilen düsük kalite resimler olarak nitelendirilmisti.

Çogu Minwha diger bir sanatçinin ifade ve konu tekniginden esinlenmeyle yapilmis olmasina ragmen, her resmin kendine has içerik ve ifade özelligi vardir.

Sanatçilar ayni konuyu tekrarlasa bile, her sanatçinin öznelligi her basit çizimindeki dogal güzelligin açiklamasiyla görülebilir. Her sanatçi, her bir resmin tekrarlanmasiyla kendine has teknigini asama asama gelistirmistir.

Minwha, derebeyligin çözüldügü modern zamanlarda ünlenmistir. Orta ve alt sinifin fikirlerini ve bilincini göstermeye basladiklari sirada kültürel arzularini karsilayacak kadar pratiktir.

Bir sanat olarak sistemli bir sekilde gelisimis olmasa da Minwha resimlerinde bol çesitlilik vardir.

Her sanatçi, Kore yasamindan kendisine önemli gelen bir sahneyi resmetmistir. Dekorasyon ve kültürel inançlara dayali olarak kullanilan Minwha, Insa Köyü’nde siklikla görülebilir.

Spoiler

Çeviri basligi resmi sitede geçtigi Minwha ismiyle yazilmistir.

Çeviri: Maria

Metin Kaynagi
Resimlerin Kaynagi



English

Minwha, Korean Traditional Folk Paintings

Minwha, are paintings in which the artists painted folk tales as well as the lives of middle and lower class Koreans in ancient times. Minwha has its origins in the wall paintings of the ancient Koguryo Kingdom (57 BC-668 AD) tombs. Koreans have believed since ancient times that the paintings drives away disaster and, thanks to the charm, one can achieve something that one hopes for.

Minwha is used mainly for decoration at home. The painting, Minwha are used for the decoration of wall. They are also painted on the folding screen used for keeping cold air away from different parts of the room at home. It was also painted on the covers of object used as means of transporting a bride, decorated with flowers, it was also painted on the fan on the date of wedding.

In general, Minwha, paintings by artists in Korea are based on shamanism, and the characters are often images of nature and animals. Pine trees symbolize a long life in the Minwha, and the mountains in the paintings symbolize the belief and respect toward the nature. The painting of flowers represents prosperity, happiness, and benediction.

Artists paint flowers such as peony blossoms, lotus blossoms, and chrysanthemums in many of the Minwha paintings. The birds such as peacock, and mandarin duck are drawn as a pair in the Minwha and represents a happily married couple. Vegetables and fruits symbolize the prosperity and the wealth of descendants. Imaginative animals such as dragon, and Chinese phoenix represent ones prayers for the prosperity and long life of someone.

Every Korean Minwha painting is not original. Many of the pictures were produced by imitating samples of an original painting. Korean Minwha is appreciated for its practical use more than for it's original artistic value. Unknown artists who were not instructed painted a great number of pictures. Therefore, the paintings were discriminated against. They qualified as low quality paintings that only the lower class of people favored.

Even though many Minwha paintings were the result of an artist imitating another's technique of expression and subject matter, each painting has a characteristic of originality in its expression of the content.

Though the artists repeat the same subject matter, one can see the individual character each artist in describing the natural beauty of each simple painting. Each artist ended up gradually developing their own special characteristic technique over the course of repeating each painting.

Minwha became popular in modern times when feudalism was dissolved. Minwha is practical for fulfilling the cultural desires of the middle and lower class of people during the time when they start showing their sentiments and conscious in society.

There is a large variety of Minwha paintings, even though it was not systematically developed as an art.

Each artist painted a scene from Korean life that was important to them. One can often see Minwha in the village of Insa which were used for decoration, and based on the belief cultural beliefs.

Source of the Text
Sources of the Paintings

[Maria]

[Maria]

[Maria]